NAS enclosures will be set up with a RAID (redundant array of independent disks) configuration, which essentially uses two or more disks in a single box to create a more resilient backup. You can use a Network Attached Storage (NAS) drive that plugs into your broadband router or an external drive attached to your computer. Literally, wherever you store your photos on a permanent device in your working location, this is your onsite backup. Step 6: Onsite Backup (Synology NAS or Other Similar RAID Redundancy System) This could be considered an additional offsite backup. Exporting from Adobe's Lightroom to Zenfolio means clients get to see the images on a website, but they are also securely stored online in a separate location away from my home or working space. These allow me not only to sell my images but allows storage of JPEGs and raw files for a small additional charge. Alternatives include Shootproof or Pic-Time. I currently use Zenfolio, as it allows me to build my website and includes an online store, which works for me. If you’re delivering images to paying clients or selling them via your online gallery or website, then you should include this as part of your workflow. Step 5: Send to Your Client via Your Website or Online Gallery Step 4: Edit Your ContentĬomplete your editing in your chosen application. I prefer doing it this way as it does save you a step of having to import first and then add into Adobe Lightroom. This alternative uses the application to transfer the files rather than doing it manually. To use your working drive, import your files using your computer from your camera cards or on-site backup by either dragging your files in finder or file explorer from your memory card to a new folder you’ve created on your attached working drive or import them and use the copy option at the top of Adobe Lightroom. Secondly, having a fast SSD hard drive for editing means that programs like Adobe Lightroom can render the previews more efficiently, helping you complete work more quickly. Firstly, it doesn’t clog up your computer’s internal hard drive with lots of photos and slow down the operating system. Importing your images from your camera cards on to a fast working drive attached to your computer solves two issues. What is a working drive? Well, before backing your completed images up on your cloud storage, NAS, or onsite storage drive, you’ll probably want to perform some level of editing on your photographs. The SSD drive inside makes it an incredibly fast, light, and versatile backup option. Weddings are a great example where you might want to back up part way through a day. Brands like Lexar or SanDisk are brilliant and have an extremely low failure rate.Ī rugged drive such as the SanDisk Extreme Portable SSD attached to a computer or iPad is ideal if it’s being used outdoors or if you’re accident-prone! These types of drives can be used for backing up while you’re out on a job. Having images copying to both cards reduces your chances of losing files to card failure, and shooting raw as well as JPEG allows for greater post-production manipulation should you accidentally over- or underexpose your image. Use good quality, high-capacity cards with fast read and write speeds and ideally, shoot using raw to both cards simultaneously or raw and JPEG if you deliver JPEG only. Starting with the photo capture, ideally, I'd recommend using a camera with two card slots, giving a level of redundancy. Step 1: The Shoot - Media Capture (SD Cards) Let's break it down into seven easy, straightforward steps. The above diagram is an example of a standard business backup solution. Let’s look at the steps we need to take to ensure your data is secure and backed up regularly. Would it surprise you to know that most commercial disaster recovery (DR) plans include three levels of backup security? On-site, offsite and cloud. Three backups? Why the need for three backups? Surely, this is not only time-consuming, but expensive? Read on, and I’ll explain. I recommend starting with three copies of your data stored on two different source mediums with at least one additional stored off-site. As a creative, one of the worst and most frustrating ways our journey will be hindered will be losing files, whether it's due to a faulty memory card when capturing on the day of shooting or during the ingestion of images post shoot and prior to post-production.
0 Comments
Leave a Reply. |